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Le Hublot

Taotie © Thomas Garnier
Taotie © Thomas Garnier

Le Hublot

2024

89 Route de Turin, 06300 Nice

Artifice Numérique Festival #07 – Intelligence!

 

 

For the 2024 edition, Artifice Numérique proposes a theme on intelligence: a return to the processes of interaction between us and humanoid robots. Consciousness, that piece of code that enables us to reprogram ourselves and modify our behaviors inherited from a very long history, is a superficial part of our system of decisions and actions… This analogy between consciousness and self-programming code is reminiscent of artificial intelligences designed on the same model, surpassing our computational and data-processing capacities. Digital artists who use A.I. and make programmed works will be exhibiting installations and performances for this new edition #07 of intelligent digital artifices on the psyche and “Silicon Valley” in California. This year, we’re offering A.I.-assisted creative workshops, some of which use high-performance tools to compose realistic, 3D images, videos, musical ambiences such as in a station concourse, or to help you with computer programming. There will also be a workshop on 3D image-generation tools, in partnership with Fées d’hiver and the town of Saint-Paul in Quebec, as well as critical and encouraging talks on the use of A.I. in learning, creating and simulating autonomous avatars. When it comes to digital works, Hublot still prefers human intelligence, sensitivity and creativity to the source code. A little narcissism with the Insuto collective, emergences and turbulent compositions with Stéphane Bissières or a visit to the futuristic labyrinths of wired architecture with Thomas Garnier and videos by France Cadet, not forgetting audio-visual performances by Stéphane Bissières and the Shapes of Emergence collective, comprising Baudouin Saintyves, Severine Atis, Otto Briner, Ben Kinsinger and Roiel Benitez.

 

 

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Taotie © Thomas Garnier
Taotie © Thomas Garnier

Thomas Garnier

Taotie

Installation cinétique et architectural

Taotie is an installation based on a technological reinterpretation of the Fantasmagorie show, a shadow theater and projection of images and shadows popular in the 18th century. Instead of depicting ghosts and apparitions, it uses a moving robotic platform to highlight a landscape of sculptures evoking contemporary storage and logistics spaces.

 

 

Born in 1991, Thomas Garnier is a French contemporary artist and visual artist. He trained as an architect at the Ecole Nationale Supérieure d’Architecture de Paris Val de

Seine. He then graduated from the Atelier national d’art contemporain du Fresnoy, where he was awarded the Révélations des arts numériques prize by ADAGP, the French artists’ society, for his graduation installation Cénotaphe. His practice is that of an artist, but also of a researcher or heterotopologist, as defined by Foucault in his text “les espaces autres”. This search for and construction of meaning in the liminal and in-between states leads him to produce
landscapes of collapsing, automated concrete models, infinite-loop images of photocollages of ruins, displays that randomly compose linguistic accumulations, and robotic shadow projections from 3D-printed sculptures.