Resurrection – (2021)

Continuity. It is the constant element in a context that is in perpetual change. It is therefore a refuge. In the historical turmoil of a capital in the midst of a socio-economic crisis, « Resurrection » is a film about the resilience of a generation in search of bearings in a violent city. « Resurrection » aims to reflect the mental paterne generation to which I belong. This mental paterne goes through a daily confrontation with the reality of a society in full mutation Skateboarding is the lens through which I explore the city, and through which striking images are collected threw documentations I try to transmit this state with the aim of plunging the spectator not only in a « state » but also in a « story ». Beyond this relationship to the practice, it is a personal and traumatic episode
that triggered the need to edit what left off and continue filming « Resurrection ». The random injustice of the robbery of my apartment, of my belongings, all that I had gathered as goods, as resources, disappeared, an intimacy violated, the private space scorned.

Phonetic – (2022)

The caterpillar said to the bird:

“Those who stick around to witness my transformation,
could do it at any time and in countless ways.
I can’t tell them how to cope with it,
but let me remind you that it takes healing,
emerging from the cocoon and taking to the sky.
If only they knew, I can only do it once in my lifetime.”

Over the veil – (2023)

“over the veil” is a two-channel video that explores the concept of “the beyond” through a technical and process-driven approach to video editing that emphasizes the manipulation of time and the creation of emotional landscapes The installation also touches the idea of the residue, drawing attention to the unseen and forgotten artifacts of human presence that creates a poignant commentary on the fragility of our relationship with the natural and urban world and the profound impact on the community of “Gabes, Tunisia”